Archive for the ‘Films’ Category

Scaramouche (1952) Reviewed

Monday, February 1st, 2010

If any film could be declared the ultimate swashbuckling film, Scaramouche (1952) would easily qualify as a contender for the title. It is said to have both the longest duelling scene and the greatest number of duels of any movie. Whether this is true or not, the duels are a marvel of fight choreography. Both Stewart Granger and Mel Ferrer performed all of their own duels and stunts, which is all the more remarkable when it is discovered that their duel on the railing of a theatre balcony was executed without a net. The action is spectacular, but the drama and the comedy (essential to a film named after the clown of the Commedia dell’arte) give the film its impeccable balance. Scaramouche is truly one of the great masterpieces of the genre.

  • Writing: Great
  • Directing: Superb
  • Acting: Good
  • Cinematography: Great
  • Stunts: Superb
  • Swordplay: Superb
  • Panache: Superb

Overall Rating: Great
Swashbuckling Rank: Superb

The Black Swan (1942) Reviewed

Wednesday, July 29th, 2009

One of the most entertaining courtships in the history of swashbuckling films is that of Tyrone Power as buccaneer Jamie Waring and Maureen O’Hara as Lady Margaret Denby in 1942′s The Black Swan. Although opposites attract, and socially they could scarcely be in greater opposition, they are far more similar in temperament, which leads to an amusing tug of war amongst the backdrop of warring pirates and privateers in the Caribbean during the reign of William III in England and Captain Henry Morgan in Jamaica. The fencing is excellent, as can be expected with Tyrone Power in the lead, although it suffers in at least one scene from the film having been unnecessarily sped up, which is certainly dismaying for those who appreciate Power’s swordsmanship. Beautifully filmed and scored, The Black Swan ranks as one of the genre’s enduring classics.

  • Writing: Good
  • Directing: Good
  • Acting: Great
  • Cinematography: Great
  • Stunts: Great
  • Swordplay: Great
  • Panache: Great

Overall Rating: Great
Swashbuckling Rank: Great

Captain Kidd (1945) Reviewed

Tuesday, May 12th, 2009

Captain Kidd from 1945 is a lopsided classic of the pirate genre, with the bulk of its favor being the weight of Charles Laughton’s highly entertaining performance as Captain William Kidd. Although it departs from historical accuracy more often than not, it stands as a classic pirate movie with buried treasure, brazen treachery, terrible butchery, and sea battles galore. Some of the roles and those cast to play them are weak and workmanlike, but Reginald Owen complements Laughton nicely as Kidd’s manservant, Shadwell, employed to teach his master the social etiquette he aspires to use in his climb to the peerage, and Henry Daniell succeeds is giving his role as King William III a convincing air of authority and royal puissance. Captain Kidd would have profited from more appropriate casting (Randolph Scott was not the optimum choice for the part of the hero, Adam Mercy), and a few more examples of bloody mêlée would not have gone amiss, but all in all it is worth watching just to see Laughton strutting the deck on the high seas again.

  • Writing: Fair
  • Directing: Fair
  • Acting: Fair (Mediocre to Good)
  • Cinematography: Good
  • Stunts: Good
  • Swordplay: Fair
  • Panache: Great (Laughton), Fair (Scott)

Overall Rating: Good
Swashbuckling Rank: Good

Too Tired to Title This

Thursday, February 5th, 2009

Movies I’ve seen at the cinema this year: Slumdog Millionaire.

Movies I’ll see in the next few days: Gran Torino.

Television shows that need to air a second season now: The Middleman, Reaper.

Television shows that need to be released on DVD: The Patty Duke Show, My Three Sons (unedited and with the original music), Thundarr the Barbarian.

Television shows that need to be re-released on DVD because I missed my chance to buy them: Land of the Lost Season 1 (one of those rare instances of a DVD release with great special features).

Television shows that need to be released on DVD complete and in chronological order: Doctor Who: The Original Programme (Doctors One through Seven).

Surfing the Documentaries

Wednesday, May 21st, 2008

I just saw The Endless Summer II. It wasn’t as good as its predecessor, but sequels rarely are. I am now hunting for a copy of Morning of the Earth, an Australian surfing movie from 1971. I think I saw part of it years ago, but I didn’t know the title. For all I know, this isn’t the movie I saw, but I’d like to find out. All I remember about it is the beautiful cinematography, good music, and an absence of narration. And a sunset.

In searching for this film, I came across the description of another that seems familiar, and which I’d like to see in any event: Five Summer Stories from 1972. Like Morning of the Earth, it appears to be currently unavailable.

I need to start documenting the surfing documentaries I’ve seen.

Woman in the Moon (1929) Reviewed

Friday, September 28th, 2007

Briefly, Woman in the Moon (or Frau im Mond) is director Fritz Lang’s 1929 film about space exploration, possibly the first ever to deal with the subject realistically. It was written by Lang from a story by Thea von Harbou (the writer of Lang’s Metropolis), with extensive technical advice and design by Hermann Oberth. The story is alternately (and intentionally) serious and humorous, adventurous and reflective. Moments of terrible gravity are balanced quite effectively by outright comedy routines that give every appearance of having been closely studied by later writers of comedies. Moments of action and suspense are balanced by the emotional battlefield of a love triangle. Everything leads to and follows humanity’s first attempt to send a manned spacecraft to the Moon. Amongst science fiction films that deal with realistic space travel, Woman in the Moon is a pioneering classic.

  • Writing: Good
  • Directing: Great
  • Acting: Good
  • Cinematography: Good
  • Special Effects: Great

Overall Rating: Good

Science Fiction Rank: Great

The Black Pirate (1926) Reviewed

Thursday, September 27th, 2007

The Black Pirate, made in 1926, is a pirate fantasy starring and conceived by Douglas Fairbanks Sr. That he had not made a pirate movie earlier in his career seems surprising for the king of the swashbucklers, but once he did, the result was another lavish and explosive epic. It was so lavish, in fact, that it was filmed entirely in Technicolor. It is, indeed, a pirate fantasy, as the extravagant use of Technicolor during the silent era might suggest, for the main characters are nobles, their countries are fictitious, and even the ships are of a design never seen in history. Fairbanks’ costume looks specifically designed for the exploits of an acrobat, though he does not play one, and the legion of soldiers who appear later rowing a galley and leaping into battle more closely resemble guards of the planet Mongo or the Undersea Kingdom in their attire (and martial artists from a kung fu movie in their behavior) than soldiers of any historical period. The story is essentially a fairy tale — an action fairy tale. There is a loyal son vowing revenge for the death of his father, the infiltration of a gang of pirates, impossible deeds done with a sparkling smile, a damsel in distress, love at first sight, more impossible deeds done with a glint in the eye, etc. The story and acting are childish, but intentionally so. The stunts are impressive by any standard except, perhaps, Fairbanks’ own. It is not the greatest pirate movie ever made, but it was certainly not made halfheartedly nor on the cheap.

  • Writing: Poor
  • Directing: Fair
  • Acting: Mediocre
  • Cinematography: Good
  • Stunts: Superb
  • Swordplay: Good
  • Panache: Superb

Overall Rating: Good
Swashbuckling Rank: Great

Cat-Women of the Moon Semi-Reviewed

Wednesday, July 25th, 2007

Cat-Women of the Moon (1953) achieves a level of ineptitude that places it squarely within the province of MST3K mockery, for which it is eminently suited. I’ll not bother to dissect this movie, (a task that has been well accomplished by the review posted on The Invisible Sc-Fi ’50s Page). I’ll simply add my observation that the use to which 3-D was put in this movie was about as effective as, no, less effective than a 3-D rendering of 12 Angry Men. Let us marvel at a man looking with concern at his wristwatch… in 3-D! We are astounded by a close-up of the watch… in 3-D! (It gets better.) Look! A shadow on a flat, featureless wallin 3-D!

In the version I saw (a VHS tape released by Rhino), the 3-D scenes were not only oddly selected, but they were oddly rendered, too. Actors invariably had two sets of eyes and two sets of mouths, and nothing so much leapt out at the viewer as appeared blurry and headache-inducing.

My favorite part of the movie (yes, there is a favorite part) is the scene where crewman Doug Smith is getting to know Cat-woman Lambda a little better:

SMITH: Or on Saturday nights you can go out on the town. Dance, drink, just laughing too hard.
LAMBDA: I’d like the driving down to the beach best. Stretching out on the sand… Just a boy and a girl together… and… and maybe what you call a… a Coke.
SMITH: You would? That’s what I like best, too. With the right girl, of course.

Yes, sounds like perfectly plausible first contact dialogue to me. Cat-Women of the Moon has all the right bad acting, bad writing, bad directing, and hilariously bad special effects to make a first rate MST3K experiment. I don’t know if it was ever used, but if it wasn’t, it’s a crime. At any rate, it ought to meet anyone’s needs… if one’s needs consist of a truly horrible movie ripe for mocking.

Overall Rating: Terrible
Mockery Potential: Superb

Godzilla, Rodan, Mothra, Ghidorah, Coffee

Monday, July 16th, 2007

Good heavens.
Ghidorah is coming.*

On Sunday I watched Ghidorah: The Three-Headed Monster (1964) for the first time since I was a wee lad, this time in Japanese with subtitles instead of English dubbing. I’ll need to check the American version to see if the scene or the dialogue were deleted or altered when it was released in the States, but I was very amused by the scene in the coffeehouse. The most expensive coffee in the world is Jamaica Blue Mountain, and almost all of it is exported to Japan. So what do you suppose the plainclothes police officer orders? Blue Mountain. What does his sister the television journalist order? Blue Mountain. When the scientist that brother thinks sister is dating arrives, what does he order? Blue Mountain. And it’s no joke of the translators, either, because the Japanese call Blue Mountain coffee — wait for it — “Blue Mountain.”

Someday I need to try it. Perhaps I will discover it is the only coffee grown in the Western Hemisphere I can tolerate. Or perhaps not.

Ghidorah sports some of the most amusing daikaiju combat scenes ever filmed, too… with monster dialogue!

*Some of the amusing subtitles from Ghidorah: The Three-Headed Monster.

Transformers (2007) Reviewed

Wednesday, July 11th, 2007

Transformers (2007) leaves me ambivalent. On the one hand, it is a live-action movie about giant robots, and I am partial to fictional robots, giant or otherwise. This is a movie I would be inclined to watch for absolutely no other reason than the sheer joy of seeing robots depicted on the screen. The fact that they are rendered so incredibly well is a bonus. The fact that there are some good human characters is also a bonus. The fact that there is some genuinely entertaining dialogue beyond a few action movie one-liners is a very pleasant bonus and certainly a surprising one. In short, the movie exceeded my expectations.

The fact that it exceeded some of my expectations does not mean that it exceeded them all. In a number of ways, it settled quite unambitiously at exactly the level of my expectations, which were not especially high. Special effects can be a wonderful thing when used in moderation. Even in a special effects extravaganza, which Transformers certainly is, it can sometimes be beneficial to withhold some of it from the audience. Tease them, appease them even, but never bore them. At the beginning of the movie, as with the trailers, my eyes were wide open to appreciate every glimpse of the robots in motion. Three-fourths of the way into the movie, however, I found myself wondering just how long this movie was supposed to be.

Special effects overdosing is not the only culprit. It is a common problem with many action movies that there comes a point when the action doesn’t seem so much like action as background noise. It becomes some sort of ambient annoyance like the distraction caused by a minor headache. Events may be rapidly rushing to a head and characters may be having their moments of truth, but by that point the pleasure of the movie is in the past, the imminent tying of loose ends is predictable and not especially interesting, and one finds oneself wishing the movie had ended a little earlier, preferably around the 90 minute mark. Not all good movies profit from being longer. Sometimes one of the best and most effective tricks in the book is the old adage, “Always leave them wanting more.” The original Star Wars was like that. Transformers could have been like that, too, and then I might have had a desire to see it more than once.

  • Writing: Fair (Good dialogue, but Mediocre otherwise)
  • Directing: Good
  • Acting: Good
  • Cinematography: Fair
  • Special Effects: Great

Overall Rating: Good