Archive for April, 2006

Robots in Film and Television Survey

Monday, April 24th, 2006

Here, at last, is my Eventually Famous Robot Survey, or, Robots in Film and Television Survey. Inspired by the Coolest Movie Robot poll posted at Slashdot.org, this survey has a longer list of choices, and it excludes nonrobots such as the computer HAL 9000, which will be reserved for an upcoming “computers only” survey. There will, of course, be inadvertent omissions, so if you wish to enter your own, do so. I’ll probably include it, with a note at the bottom including the date it was added. My rules for inclusion are: All robots must be characters appearing in a live-action film or television show. Please note I have included only some of the most notable robots from any given film or show. I will not list every droid from every Star Wars movie, for instance. [Edit: So much for that. It seems I am striving to list every robot after all. (18 August 2007)] Also note I have not specified the name of the robot in Alien, as it would constitute a spoiler for those who haven’t seen the film. To participate, write a comment including:

  1. If I could own a robot, I would choose _____
  2. If I were a robot, I would be _____

and/or:

  • The three best robots in film and television are _____

That’s it. I just thought it might be fun.

[Edit: The list has been moved to Robots in Film and Television at Cuparius.com.]

Alien, Tolkien, OED, Persian Empire

Sunday, April 23rd, 2006

I was up until twoish in the morning watching Alien for the first time. I think it’s a very good movie, but I do have one complaint. For a movie that has the tagline, “In space no one can hear you scream,” it seemed pretty damned silly hearing so many spacecraft sound effects in the silent vacuum of outer space. Silence would have been eerier and far more effective for a gritty science fiction horror film than the Star Wars space opera noise that was chosen. I haven’t seen the director’s cut, but I would be interested to learn whether he corrected that problem.

Now that I have finally seen Alien, I can post the robot survey, but I can’t include the name of the robot after all, because it would constitute a spoiler. The robot from that film will therefore remain anonymous. I detest spoilers.

I shall post the robot survey soon.

Two books I am very interested in reading soon are The Ring of Words: Tolkien and the Oxford English Dictionary (Huzzah!) by Peter Gilliver, Jeremy Marshall, and Edmund Weiner, and Persian Fire: The First World Empire and the Battle for the West by Tom Holland. I can’t wait to read them, but I do wish the publishers would release them immediately in trade paperback format. For most purposes, trade paperbacks are vastly superior to cheaply constructed, overpriced hardcover books. If I had my way, the major book formats would be mass market paperback, trade paperback, library edition, and high quality clothbound or leatherbound editions; mainstream hardcovers would be rendered extinct.

That subject line would make an interesting list of ingredients for an Iron Chef RPG contest, too.

Oliver Cromwell, King Charles I, Doughnuts, Robots, Castle

Friday, April 21st, 2006

Before I go to work today, I must remember to return a DVD to the public library. The DVD in question is Cromwell (1970), starring Richard Harris as Cromwell and Alec Guinness as Charles I. I have never seen either character portrayed with greater depth or complexity. In general, I found it to be significantly above average, especially for an historical movie. History tends to be grievously distorted when adapted to film. This movie in particular had interested me since I first learned of its existence, and I was very pleased to discover it on the New Acquisitions shelf in the library. Is it my imagination, or are Americans far more interested in the American Civil War than English are in the English Civil War? Perhaps I ought to rephrase that. Is the American film industry more interested in the American Civil War than the British film industry is in the English Civil War, and if so, why? Does it have something to do with budget limitations? Do British film audiences find the subject of civil war in their own country less compelling? If they don’t, is it just that they would prefer not to explore the subject for other reasons? Are there political reasons? Are my questions misdirected because I am underestimating the number of films about the English Civil War that have been made? If I am right that there is a relative scarcity of films on the subject, I suppose I would prefer a handful of jewels to a hill of something much less valuable. (Not that there are no good films about the American Civil War, but there are certainly far more that are not.)

Krispy Kreme doughnuts are better enjoyed at work or home than at a Krispy Kreme location. Dreary little places they are. I entered one expecting to have a pleasant moment enjoying a doughnut and a cup of coffee as I gazed through the window or read the newspaper, but as soon as I stepped inside I couldn’t wait to leave. One would think a doughnut bakery would have a delicious aroma, wouldn’t one? Beyond the peculiar odor, it had a distinctly unwelcoming atmosphere. And there were no customers. Hm…

I still do not know whether to post my Robots in Film and Television survey here or at Mr. Cooper’s Journal. I think I’ll post it here first, and then I’ll post it there. Before I post it anywhere, I need to watch Alien (for the first time) so I can take down the name of the android. No one I have asked who has seen it remembers the character’s name. That isn’t my sole reason for watching Alien. I have wanted to see it since it was first released, and I was very frustrated that I missed it when it was briefly released in cinemas again a few years ago.

Egads, I just remembered I also need to return Howl’s Moving Castle to the video store. I thought it was good, but it isn’t my favorite Miyazaki movie. (My Neighbor Totoro still holds that honor.) The animation seemed inferior to some of his other films. Perhaps it’s a trick of my memory, but I seem to recall being distinctly more impressed by the animation in Spirited Away and Princess Mononoke. There were also some ambiguities in the plot, and I don’t know whether it was the book upon which it was based or the script itself that was the source of the ambiguities. As I mentioned, I thought the movie was good, but it lacked some of the sense of wonder that his other films evoke so well.

The subject of this entry reads like an Iron Chef Game Design recipe. Design a role-playing game incorporating the following ingredients:

  • Oliver Cromwell
  • King Charles I
  • doughnuts
  • robots
  • castle

(I didn’t just invent the Iron Chef Game Design idea, by the way. Pyramid has run the contest in the past, and Game Chef is a site dedicated to the concept.)

At any rate… Be seeing you… :-?

Barsoom and Beyond

Monday, April 17th, 2006

Today I finished reading A Fighting Man of Mars by Edgar Rice Burroughs. It is the seventh book in his Martian Tales series (or Tales of Barsoom, depending on your preference). It was enjoyable, but I think I need a rest from high adventure. It might be time to read another history book.

I finally saw Mr. Smith Goes to Washington (1939). Watching it reminded me of two other odes to idealistic courage:  The Devil and Miss Jones (1941), another great film starring Jean Arthur, and Meet John Doe (1941), directed by Frank Capra. Needless to say, I recommend all three.

I’ve also been renting Doctor Who DVDs lately. Yesterday I saw a 3rd incarnation (Jon Pertwee) story, “The Green Death.” The week before, I saw a 4th incarnation (Tom Baker) story, “Horror of Fang Rock.” Today I begin the first episodes of a 1st incarnation (William Hartnell) story, “Destiny of the Daleks.” I think I’m actually enjoying them more now than I did when I first saw them. I just wish the BBC would release the complete Doctor Who original series on DVD… in chronological order… at a reasonable price… and make them available in the States. True, I still need to buy the complete DVD sets of Star Trek: The Original Series, Space: 1999, The Twilight Zone, The Outer Limits, Babylon 5, Crusade, Lexx, Red Dwarf, The Avengers, Jeeves & Wooster, Blackadder (I, II, III, and Goes Forth), The Thin Man, and I, Claudius, but who’s counting? Blake’s 7 would also be nice to have. And the first season of Starhunter. [Edit: How could I forget Cowboy Bebop?!? Dash to your local video store and rent the series. After you have seen the series, rent the movie. I must remember to buy all the DVDs before they are out of production again. Och, and now that I think of it, I also need Granada Television's complete Sherlock Holmes series starring Jeremy Brett (the only man who ever did justice to the character). I'd better stop whilst I'm behind.]

Favorite Incarnations of the Doctor

  • Tom Baker (The Fourth Incarnation)
  • Patrick Troughton (The Second Incarnation)
  • Jon Pertwee (The Third Incarnation)
  • Colin Baker (The Sixth Incarnation)

I have confirmation of the events that I shall be running at Origins 2006:

  • Harry Potter & Hogwarts’ Latest Danger (Thursday, 29 June, 2:00 p.m.)
  • Doctor Who: The Golden Chalice (Thursday, 29 June, 8:00 p.m.)
  • Star Trek: Marduk 6 (Friday, 30 June, 8:00 p.m.)
  • Harry Potter & Hogwarts’ Latest Danger (Saturday, 1 July, 10:00 a.m.)
  • The Prisoner: Jolly Good Fun (Saturday, 1 July, 8:00 p.m.)
  • Harry Potter & Hogwarts’ Latest Danger (Sunday, 2 July, 10:00 a.m.)

The Harry Potter events each last 1 hour and 45 minutes; all other events last 3 hours and 45 minutes. No experience is necessary as the rules will be taught (and they are easy). Characters will be provided. Online event registration will begin soon. I’ll furnish the exact date as soon as I know it. (I should probably mention that the Star Trek event is Star Trek: The Original Series and the Doctor Who event is likewise Doctor Who: The Original Series. The Prisoner event is, of course, based on The Prisoner television series starring Patrick McGoohan.)

It’s time to post this, I suppose. Be seeing you…

Self-Made Man Reviewed

Saturday, April 1st, 2006

Drat. I was hoping to post six entries in March, but it wasn’t meant to be. I even forgot to post a Saint Patrick’s Day update. I need a calendar that marks all of the Celtic holidays. Hm… I ought to look into that.

There is a book that has been gaining some attention lately at one of the web logs I occasionally read. Aggressively enthusiastic recommendations might be a better way of putting it. The book in question is Self-Made Man by Norah Vincent. I had noticed it at the bookshop where I work and thought it might be interesting, but as I am burdened with an enormous and ever-growing backlog of books I want to read, I decided at the time that it was not interesting enough to leap ahead of the queue. The unbridled praise I was reading in the thread both intrigued me and stoked my inner skeptic, however, so I decided to let it leap ahead after all.

It is not a long book, and I read it in two days (and I would have read it in one if I hadn’t had to work). To briefly summarize, it is about a woman who passed herself as a man in order to see what it is like to be treated as a man by other men and by women. Inevitably, this leads her to infer what it is like to be a man, and why men are the way they are, and what consequences this has for women and the human race. It starts as a personal quest for understanding, and although she warns at the beginning of the book that her experiment was far from scientific or authoritative, by the end of the book she can’t help but express her experiences as universal truths, and that is where the book fails. I suppose it is too great a temptation to render sweeping judgments about the human condition and overgeneralizations about huge portions of the population in a society in which punditry and soundbytes take the place of intelligent discourse and in-depth reporting. I do not doubt the author’s honesty, intentions, or integrity, but I do see a tendency to enlarge her personal experiences and draw distorted conclusions from them. I am not suggesting that her conclusions are false in their entirety, but I am asserting that some of her conclusions are accurate only for the groups to which she was exposed, for you see her entire project was limited to exploring subcultures, and I’m afraid one cannot understand the whole by limiting one’s investigations to a few peripheral, unrepresentative parts. By way of explanation, allow me to put it this way: If a man were to convincingly disguise himself as a woman and successfully infiltrate a tupperware party, a convent, a women’s Wiccan commune, and try his hand at being an Avon saleswoman, do you think that he would, from those experiences, understand the fundamental essence of being a woman and how women interact amongst themselves and with men? I think not. Vincent’s experiences include joining a “white trash” men’s bowling team, frequenting the sleaziest low class strip clubs, living in a Catholic monastery, joining a Robert Bly-inspired “men’s movement” group, and getting a “job” as a door-to-door salesman for one of those countless 100% commission rip-off employers. That doesn’t represent my experiences as a man; in fact, it doesn’t represent the experiences of any of my male friends. Hers are experiences with subcultures, and some subcultures have a tendency to attract those who deviate from the norm in a certain way, and reinforce certain deviations in many cases by their very nature. This is not a good source on which to base a general evaluation of being a man.

As I read the book, I was curious to find out whether she met anyone like me, and what her reaction would be, but alas, she was apparently searching for stereotypes, and was often surprised and torn with guilt to discover many of those stereotypes were false. She never sought to interact with any men who might be well-adjusted or independent (even if she did find them occasionally), but tried to immerse herself amongst men who were dealing with severe emotional wounds (usually as a result of their dysfunctional upbringing) and who depended on a group for their own sense of validity. Is it any wonder she should develop such stunted conclusions about men’s emotional states (or supposed lack thereof)? I am not suggesting the book was without value; it had its moments of revealed truth, and it was written well. I just wish she hadn’t resorted to the bits of mystical sanctimony and the (perhaps unintentional) pigeonholing she claimed she would avoid.

My greatest concern is that there are those who will not take the observations of this book with a grain of salt. They will exaggerate it and apply it to everyone and everything, thwarting the good intentions of the author by employing it as another source to uphold stereotypes, the “Us vs. Them” mentality, and the old “unbridgeable chasm” arguments used to justify non-negotiation. Readers beware, all men are not necessarily represented in the book.